A short portrait
Larry Gallner occupies a simple but resonant place in public records: a father, a presence at the edges of performance, and—by choice or temperament—a largely private individual. He is known primarily through the life and career of his son, actor Kyle Gallner, and through a handful of small public traces that momentarily pull him into view. Like a background actor in a favorite scene, Larry’s contours are visible but not illuminated; the details remain in shadow, leaving the shape rather than the texture.
Basic information
| Field | Data |
|---|---|
| Name | Larry Gallner |
| Relationship to public figure | Father of actor Kyle Gallner |
| Notable on-screen credit | Credited as “Bonfire Attendee” in a 2015 feature film |
| Public visibility | Low; occasional mentions in interviews and film credits |
| Known family members | Mary Jane Gallner (spouse), Kyle Gallner (son), three siblings of Kyle (one older sister, one younger brother, one younger sister) |
| Years with public mentions | 2000s–2020s (mentions connected to Kyle’s career) |
Family as the axis of public record
Family is the axis around which nearly all public information about Larry turns. He is the father of Kyle Gallner (born October 22, 1986), an actor whose career in television and film is the primary reason Larry appears in public-facing accounts at all. The Gallner family shows up in three types of public traces: brief cast listings, family mentions in interviews, and photographic or social glimpses tied to Kyle’s work.
Larry’s spouse, Mary Jane Gallner, also appears sparingly in the same public space. Both Larry and Mary Jane share a small on-screen credit in the same 2015 film where they are listed among attendees of a scene—an ordinary, human brush with the camera that nevertheless registers on cast lists. Beyond that, Kyle’s public biographies note that he grew up with three siblings (an older sister, a younger brother, a younger sister). Their names and lives, however, remain private in the public record; they are described as non-public persons and are not profiled independently.
Family here functions like a constellation: Kyle is the brightest star and Larry is one of the points that help map the family’s pattern. The map is sparse, but it is stable enough to confirm relationships and to suggest the texture of a private family life lived largely out of the tabloid glare.
Public appearances and small credits
Larry’s most concrete public footprint is a small film credit from 2015. He is listed in the cast of a feature film in a minor role—an appearance that registers as a named credit but not as a career-defining turn. It is a moment of visibility, brief as a flash of lightning, that connects him to a creative project associated with his son.
Outside that appearance, public mentions are intermittent. During interviews and press events centered on Kyle, Larry is sometimes visible off-camera or noted in passing—present but not foregrounded. There are no extended interviews, no standalone profiles, and no detailed professional résumé attached to his name in major public outlets. What remains is an impression of parental support rather than public ambition: a person who appears in family contexts more than in individual professional identity.
Career traces and what remains unverified
There is scant verified information about Larry’s occupation or professional achievements beyond the small on-screen credit. A separate directory entry surfaced in public searches that lists a person named Larry Gallner in a business context tied to audio-visual equipment for a regional association. That listing could be a match, or it could be a namesake: public records show this as an unverified possibility. Without a clear corroboration—such as an interview, matching middle name, or shared biographical data—this trace must be treated as tentative. In short: one small confirmed on-screen credit; one plausible but unverified business listing; otherwise, little public documentation.
Timeline of public traces
| Year / Range | Public detail |
|---|---|
| 1986 | Kyle Gallner (Larry’s son) is born — October 22, 1986. |
| 2000s–2010s | Kyle’s acting career develops; family references surface in profiles and interviews. |
| 2015 | Larry (and Mary Jane) receive a film credit as attendees in a feature film. |
| 2016–2025 | Occasional mentions in interviews and coverage about Kyle; no major independent public milestones for Larry. |
Numbers here matter as anchors. The single, dated film credit (2015) is the clearest timestamp directly tied to Larry; Kyle’s birth in 1986 is a second, important anchor that frames the family timeline. The intervening years are filled with the arc of a child becoming a working actor and a parent who remains mostly offstage.
Public visibility and the ethics of attention
Larry’s story—what can be said of it in public terms—is an exercise in restraint. The published record treats him as a private individual who surfaces occasionally where family and film intersect. There are three practical ethics that govern how his story can be told without overreach:
- Respect for privacy. Where siblings and spouse are not public figures, their identities and private lives remain protected from intrusive detailing.
- Fidelity to verifiable facts. The public record offers a few clear, verifiable points: family relationships, a specific film credit, and occasional mentions in the context of Kyle’s career.
- Caution around namesakes. Public directories and business listings may refer to people who share the same name. Without clear linking evidence, it is responsible to mark such traces as unverified.
Viewed this way, the silence is not an absence but a boundary. It tells us something about the family’s preference: to keep personal narratives private while participating selectively in public life.
Character sketch — sparse details, vivid impression
What emerges from the available record is less a full biography and more a silhouette: a father present at the margins, a partner credited alongside him in a single film, and a family whose public shape is defined primarily by one member’s career. Larry’s public persona—deliberately faint—serves as a reminder that fame often lives in concentric circles. At the center is the actor; around him are parents, partners, and siblings who keep their own stories private. The image is cinematic: a shallow depth of field where the foreground is sharp and the background pleasantly, intentionally blurred.